The actual carved piece of balsa wood is missing in the sequence.
The idea behind this is that the final outcome of the woodblock print is the product of several steps, each cataloged as a series of events. I view the carving itself in the same way, each piece of wood taken out is a stamp of a specific time, with the accumulation of all of them making up the piece. The drawing/carving itself is a sequence from inside to outside, three separate spaces split up by thresholds, the slack space between.
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